The House of Hammer Vol. 1: A Blu-ray Review
The House of Hammer Vol. 1 is a comprehensive box set that delves into the rich history of British horror, specifically focusing on the legacy of Hammer Films and its associated studios. This collection is a testament to Hammer's ongoing efforts to revive its brand and reconnect with its audience.
Curated Content and Features
The set includes a variety of special features, interviews, and documentaries that provide an in-depth exploration of Hammer's heritage. The first disc features 'Masques, Monsters and Madmen', a documentary about American International Pictures (AIP) and Vincent Price's collaborations with the studio. This is an intriguing angle, as Price, despite never starring in a Hammer film, was associated with the company through his work with AIP. The documentary is complemented by 'Off the Leash', an exploration of Michael Gough's career, and 'The Land Demands Blood', a look at Cornwall's role in Hammer's settings.
The second disc offers a more diverse range of content. 'Deep Cuts' delves into censorship in the US and UK, providing a unique perspective on the changing boundaries of film content during the 1960s and 1970s. 'Making Monsters' features an interview with the special effects duo Dave and Lou Elsey, while 'Symphonies of Shudders' focuses on the music in Hammer films, particularly the work of composer James Bernard. Additionally, there's a 1995 interview with Roger Corman and footage from the restoration screening of 'The Curse of Frankenstein'.
Personal Commentary and Analysis
What makes this collection particularly fascinating is the diverse range of content it offers. It's not just a collection of talking heads, but a well-curated selection of films, documentaries, and interviews that provide a comprehensive look at Hammer's history. The inclusion of lesser-known films like 'Ticket to Happiness' adds a layer of nostalgia and surprise, making it a treasure trove for fans and collectors.
However, one might argue that the seemingly random nature of the content could have been better organized into a more cohesive narrative. The artwork, for instance, features Christopher Lee, Peter Cushing, and Vincent Price, despite only Price's involvement being heavily emphasized. This could be improved in future volumes to create a more unified collection.
Conclusion
Despite the minor quibbles, The House of Hammer Vol. 1 is a must-have for fans of British horror and Hammer enthusiasts. It provides a wealth of information, insights, and entertainment, ensuring that the rejuvenated interest in Hammer and its associated studios continues to thrive. The lavish box set format and the inclusion of special features make it a valuable addition to any collection, and it serves as a testament to Hammer's commitment to preserving its rich heritage.
